The group exhibition Narrativas Fragmentadas brings together works by Isabel Alonso Vega, Álvaro Borobio, Livia Marín, Daniel Adolfo, Otto Martín Moreno, Pablo Armesto, and Fernanda Carri, artists whose practices, although diverse in technique and language, converge in the same questioning of discontinuity, materiality, and the construction of meaning. Through media ranging from installation and sculpture to the use of light, objects, and organic matter, the exhibition proposes a reflection on fragmentation as an inherent condition of the contemporary experience. In this territory of fractures and resonances, the narrative is not presented as a continuous line, but as an open fabric that is recomposed with each glance. Through materials that oscillate between the solid and the ephemeral—transparencies, recomposed ceramics, geometric structures, light, metal, or smoke—the works reveal a shared interest in process, transformation, and the possibility of finding meaning in the incomplete.
Far from offering a single narrative, the exhibition is structured as a field of relationships where matter and idea, intuition and thought coexist. This tension gives rise to a poetics of the fragment: an invitation to inhabit the incomplete, to accept multiplicity as a structural principle of the present. Fragmented Narratives thus offers a reflection on the way in which contemporary art produces meaning not from unity, but from dispersion, constructing its coherence precisely in the dialogue between the parts.
Form is conceived as a territory in process: surfaces that shift, structures that are interrupted, materials that reveal their fragility and persistence. The works are constructed from the fissure, highlighting that the contemporary narrative cannot aspire to unity, but rather to a constellation of gestures, traces, and partial presences. As Italo Calvino pointed out, the continuity of the world is nothing more than the web that our gaze weaves so as not to get lost in the discontinuity of things.
Continuity exists only as a mental abstraction, an illusion we construct to endure the fragmentation of the world; in this exhibition, the fragment is assumed to be the most honest way to represent the complexity of the present.
